Adobe Premiere Pro vs Premiere Rush: Support The ability to export straight to social media platforms such as YouTube or Facebook is also a useful time-saving feature. In terms of ease of use, the simplicity of Rush’s design means that you’ll be able to learn how to use it and edit simple videos quicker than with the more complicated Premiere Pro. The more powerful your graphics card, though, the less likely you are to run into these issues. That’s not a problem with Rush because projects on it tend to be much simpler. That said, Premiere Pro has been known to run slowly or even crash when more complex projects are being edited when you start layering up its more advanced effects, it can become processor-intensive for Pro to render all the required video. If your computer meets the recommended specifications, you should be able to edit with either program without much lag. However, for Premiere Pro, you’ll also need at least 2GB of GPU VRAM, and it’s recommended that you have at least 16GB of RAM if you want to edit HD video. Premiere Pro and Premiere Rush both have the same basic system requirements: Windows 10 or macOS v10.14 or later, 8GB of RAM, and 8GB of hard disk space. Premiere Rush’s simple interface makes for smooth performance (Image credit: Kieron Moore) Adobe Premiere Pro vs Premiere Rush: Performance Still, there are tons of things that you can do within it to make quality, fun social media videos, if you’re not too picky about the minute details. The advantage of Rush is that it’s streamlined and simple to pick up. In short, there’s nothing that you can do in Rush that you can’t also do in Pro, while there are many things that you can do in Pro but not Rush. That said, for most quick social media videos, these will be sufficient to get your video looking good. In Rush, you’re limited to a set of preset colour filters and a few sliders, such as exposure, contrast, and highlights. Pro has several colour effects, including the powerful Lumetri Color, which includes RGB curves, separate wheels for shadows, mid-tones, and highlights. Let’s take colour grading features as an example. All clips and effects in Premiere Pro can be keyframed – for example, you can adjust the opacity or positioning of a clip over time with minute precision, while this is not possible in Premiere Rush. Premiere Pro has much more flexibility than Rush. The major differences reveal themselves when you want to go in-depth with manipulating parts of your edit. Copy/PasteĬan’t copy and paste clips in the timeline.Premiere Pro’s depth of features enables precise editing (Image credit: Kieron Moore) It would be so convenient to set in and out points in the timeline and make an extract edit. This is editing 101! Yes, in and out (I, O) can be used to make selections in the clip preview window, but that takes extra clicks. In and Out in Timeline (3-point editing)Ĭall us traditional and set in our ways, but its a little frustrating not being able to make in and out edits in Premiere Rush. ![]() ![]() ![]() Think how much easier J and L cuts would be if could separate the video and audio layers. One feature that is really missed in Premiere Rush is the ability to unlink video and audio clips. Just shocked it’s not there to begin with. We’re sure these keyboard shortcuts will get added. How come there’s no capability to ripple trim to the playhead? Makes no sense. (In our opinion, this was a huge oversight!) Premiere Rush and its magnetic timeline are built for ripple trimming. There’s no Ripple Trim to Playhead keyboard shortcuts (Q, W) in Premiere Rush. Stuff that should just be there in version one. We’re talking about basic editing functionality that is inexplicably absent in Premiere Rush. These features are not “bells and whistle” - all that stuff will get added incrementally in future releases. Let us preface this by saying the following missing features have nothing to do with color, graphics, or audio.
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